Too Many Tweets?
I can’t stop thinking about Venetian composer Antonio Salieri.
If you’re not a student of classical music you may know him as Mozart’s nemesis in Peter Shaffer’s film “Amadeus.” “Too many notes,” was his review of a new piece by Mozart. “Too many notes.”
If you’re like me, and I suspect there must be a silent majority out there, you must be wondering how any one person finds enough material to power dozens of tweets each and every day. While some of those updates are absolutely valuable, amusing, or interesting I find myself ignoring the balance due to “too many tweets.” Like Salieri, I want to follow along and listen – I really, really do.
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If you’re not a student of classical music you may know him as Mozart’s nemesis in Peter Shaffer’s film “Amadeus.” “Too many notes,” was his review of a new piece by Mozart. “Too many notes.”
If you’re like me, and I suspect there must be a silent majority out there, you must be wondering how any one person finds enough material to power dozens of tweets each and every day. While some of those updates are absolutely valuable, amusing, or interesting I find myself ignoring the balance due to “too many tweets.” Like Salieri, I want to follow along and listen – I really, really do.
-Read More-
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